Wedding Reels and Social Video Editing

Reels are where couples find videographers now. They are also the deliverable most likely to get squeezed out, because they arrive at the end of a long edit and they pay the least.

That is exactly the kind of work worth handing over. $70 each.

What You Get

• Bride reel: her morning, her dress, her walk down the aisle.
• Groom reel: the same, from his side of the day.
• Couple reel: the two of them together.
• Teaser reel: the teaser, built vertically. Same job as a 16:9 teaser, withholding the day rather than summarising it, but composed for a full-screen phone from the start. Priced as a teaser rather than as a reel, for the reason below.

Each one is cut vertically for Instagram and TikTok, with sound mixed for a phone speaker and colour matched to the rest of your delivery so a reel never looks like it came from a different wedding.

Reframed, Not Cropped

This is the part most people get wrong, and it is why a reel takes real time.

A wide two-shot that works beautifully at 16:9 will often have both people walking out of frame at 9:16. A drone shot that reveals a venue horizontally reveals almost nothing vertically. Centre-cropping a horizontal film produces something technically vertical and visually broken.

So a reel gets built from shots that survive the aspect ratio, reframed where a shot has room to give, replaced where it does not. That is why a vertical version of an existing teaser is quoted rather than thrown in.

What It Costs

Bride, groom and couple reels are $70 each.

A teaser reel is $250, the same price as a 16:9 teaser.

It is priced differently from the other reels because it is a different job. A bride reel pulls one thread out of the day. A teaser has to carry the whole wedding in ninety seconds and make the next couple enquire. That is a teaser's work, and the vertical frame does not make it any less of one.

A 16:9 teaser and a teaser reel are also two edits rather than one edit exported twice, because shots that hold at 16:9 routinely lose their subjects at 9:16. If you want both from the same wedding, say so up front and we will quote them together. That is cheaper than having a delivered teaser converted afterwards.

What We Need From You

Footage goes on Google Drive, Dropbox, or whichever cloud storage you already use. There is no size limit.

You fill in the project intake form once per wedding. It covers the theme and direction, the moments that have to be in the film, names and pronunciations, music direction, and anything you would rather we did not use. It is the brief the film gets built to, and it is the single biggest factor in how few revision rounds a project needs.

Turnaround

Standard turnaround is 7 to 8 working days.

The more useful answer is that we work to your date. Tell us when you have to deliver to your couple and we will confirm whether we can hit it before you commit to anything. If something has to jump the queue, expedited delivery in 48 to 72 hours is available at +50% of the project price.

Revisions

Four rounds are included: one internal alignment round before the film reaches you, and three with you. Notes go on the Frame.io link that carries the files, which timestamps each comment to the exact frame automatically.

Small changes are included generously. Re-edits that rebuild the film, such as a new music concept, a different narrative order or a substantially different length, are scoped separately. The full terms are on our revision policy page.

Working Under Your Brand

No watermark, no credit, and no contact with your couple. We sign NDAs and white-label agreements on request.

If you have not worked with us before we will do a sample edit after a short call. First-time clients can split payment 50/50 rather than paying up front, and there is a money-back guarantee on a first project.